{"id":12129,"date":"2011-04-22T17:41:48","date_gmt":"2011-04-22T22:41:48","guid":{"rendered":"http:\/\/www.dangermond.org\/?p=12129"},"modified":"2011-04-23T10:40:14","modified_gmt":"2011-04-23T15:40:14","slug":"the-performer","status":"publish","type":"post","link":"https:\/\/www.dangermond.org\/?p=12129","title":{"rendered":"The performer"},"content":{"rendered":"<p>When we first adopted Tin a few people said he might play for the Saints one day. It&#8217;s the sort of thing people say when you have a son and the Saints are winning. But I was like NO WAY. I hoped he might be a musician or pursue any career other than being an athlete. So when his musical interests continued to wax I was smiling inside. Then I noticed everywhere we&#8217;d go that had live music would get his toe tapping, his fingers halfway snapping, and the camera&#8217;s clicking away. He&#8217;s cute and he has some moves on him.<\/p>\n<p>And lately it seems that he is always drawing his own crowd as he moves and <a href=\"http:\/\/www.youtube.com\/watch?v=AtirQJ-j5Ng&amp;feature=digest\" target=\"_blank\">plays his toy <\/a>or imaginary instruments and I&#8217;ve started having a different feeling where I want to reel him in a little, keep him a little closer. It&#8217;s sort of some reaction to him being a spectacle to be observed that has me a little flinching. Last night, I was at the Fair Grinds with the Bridge Stories for the opening of Bayou St. John: Portrait of a Neighborhood and Tatjana had come late with Tin because he decided to eat not one but three bowls of pasta pesto before leaving the house. I told her to check out Paul Sanchez next door at Swirl before he quit playing, so she walked over there with Tin and his toy trumpet.<\/p>\n<p>Paul remembered Tin from the Sound Cafe the other night and was very sweet and talked about him and autographed our copy of Nine Lives, A Musical Adaptation and mentioned him several times during his performance. I walked in towards the end of it, wondering where T squared was and saw Tin standing in the middle of the room dancing, his trumpet standing up near him. I had that pang, that I don&#8217;t like him out there so small and alone like a performing monkey for the crowd. It bothers me. I thought about what we had been talking about the other night, that Miles never smiled for the audience because he didn&#8217;t want to be one of those black performers entertaining the white folks, and we were talking about this because I had told Tin that Louis Armstrong always had a smile on his face.<\/p>\n<p>Later I told T how I felt, that I don&#8217;t want him thinking that the way he gets attention is being an entertainer for the crowd. She said that Paul had told her that Tin is a natural born performer. But she admitted, she felt the same about him being on all the time too. It&#8217;s just that you can&#8217;t hold him back. When he hears the music, he becomes possessed by it. He loves the crowds and believes he is performing for them. It does all seem so natural. I just want him to know he is loved and adored for simply being himself too. He doesn&#8217;t need to be a celebrity, he needs to just be Tin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When we first adopted Tin a few people said he might play for the Saints one day. It&#8217;s the sort of thing people say when you have a son and the Saints are winning. But I was like NO WAY. I hoped he might be a musician or pursue any career other than being an athlete. So when his musical interests continued to wax I was smiling inside. Then I noticed everywhere we&#8217;d go that&hellip; <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12129","post","type-post","status-publish","format-standard","hentry","category-main"],"jetpack_shortlink":"https:\/\/wp.me\/p1kHSD-39D","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/12129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12129"}],"version-history":[{"count":6,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/12129\/revisions"}],"predecessor-version":[{"id":12135,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/12129\/revisions\/12135"}],"wp:attachment":[{"href":"https:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}