{"id":16660,"date":"2013-01-06T08:52:11","date_gmt":"2013-01-06T13:52:11","guid":{"rendered":"http:\/\/www.dangermond.org\/?p=16660"},"modified":"2013-01-06T08:52:34","modified_gmt":"2013-01-06T13:52:34","slug":"16660","status":"publish","type":"post","link":"http:\/\/www.dangermond.org\/?p=16660","title":{"rendered":"RY-tuhrs blok"},"content":{"rendered":"<p>A.Word.A.Day<br \/>\nwith Anu Garg<\/p>\n<p>writer&#8217;s block<\/p>\n<p>PRONUNCIATION:<br \/>\n(RY-tuhrs blok) <\/p>\n<p>MEANING:<br \/>\nnoun: A usually temporary psychological inhibition preventing one from proceeding with a piece of writing.<\/p>\n<p>ETYMOLOGY:<br \/>\nAfter the term &#8216;block&#8217; or &#8216;blocking&#8217; used to describe obstruction in mental processes resulting in an inability to do a certain task. Earliest documented use: 1950.<\/p>\n<p>NOTES:<br \/>\nThe writer&#8217;s block has been described as the situation when your imaginary friends won&#8217;t talk to you. But this condition is not limited to fiction writers or even to writers. Here&#8217;s the composer Rossini&#8217;s advice on this matter:<br \/>\n&#8220;Wait until the evening before the opening night. Nothing primes inspiration more than necessity, whether it be the presence of a copyist waiting for your work or for the prodding of an impresario tearing his hair. In my time, all the impresarios in Italy were bald at thirty.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A.Word.A.Day with Anu Garg writer&#8217;s block PRONUNCIATION: (RY-tuhrs blok) MEANING: noun: A usually temporary psychological inhibition preventing one from proceeding with a piece of writing. ETYMOLOGY: After the term &#8216;block&#8217; or &#8216;blocking&#8217; used to describe obstruction in mental processes resulting in an inability to do a certain task. Earliest documented use: 1950. NOTES: The writer&#8217;s block has been described as the situation when your imaginary friends won&#8217;t talk to you. But this condition is not&hellip; <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16660","post","type-post","status-publish","format-standard","hentry","category-main"],"jetpack_shortlink":"https:\/\/wp.me\/s1kHSD-16660","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/16660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16660"}],"version-history":[{"count":2,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/16660\/revisions"}],"predecessor-version":[{"id":17519,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=\/wp\/v2\/posts\/16660\/revisions\/17519"}],"wp:attachment":[{"href":"http:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16660"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dangermond.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}